Showing posts with label hand applique. Show all posts
Showing posts with label hand applique. Show all posts

Wednesday, July 10, 2019

Park Your Needle Safely


If you sew by hand, you know how vexing it can be to lose your needle. Maybe you were interrupted from your hand quilting, and upon return, you cannot find where you left your needle.

What if the needle is on the floor? That is a real hazard! It happens, but it can be easily prevented with this little trick of mine, whether you piece, applique, or quilt by hand, even embroidery, cross stitch, etc.:

Stop when the thread is not pulled through, and leave the needle hanging with the thread tail still "caught" in the work. 

Upon your return, pick up your quilt (or sewing project) and shake it - the needle can be easily found. The needle will not fall out, or be lost inside a quilt, and is less likely to stick you (or others) accidentally as you search for it. Then you will pull those stitches through and hear "that lovely sound of thread being drawn through fabric" (as my friend, Gina Prosch enjoys in This Day's Joy).


Whenever I teach hand quilting, hand piecing, or hand applique, I always leave my students with this motto: “Park Your Needle Safely!”


Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com
(c)2019 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Saturday, November 10, 2018

More from My Visit to National Quilt Museum

On our way from Maryland to visit the Grand Canyon in September, the National Quilt Museum in Paducah, KY HAD to be a stopover! 

We saw fabulous quilts from the permanent collection and several special exhibits. (Edie McGinnis’s collection of Kansas City Star Quilts is featured in a previous post.) 

What a treat to see so many amazing works of art/craft, view the details up close, and capture photos. I will share just a few photos of my favorites, with a focus on fabulous hand quilting. (Click on photos for closer detail.) 

I have long admired the work of Jane Holihan. This is her amazing miniature quilt, “Rose Splendor,” at 17x17 inches!















Another fabulous miniature was hand appliqued and hand quilted by Jessie Harrison. "The Bouquet," is an amazing 9-3/4 x 11-3/4 inches! Jessie credits the value of a glue stick to hold small pieces in place for precise sewing.















Patricia Spadero (Delmar, NY) with her classic “Quilted Counterpane” hopes to inspire others to take the time to learn this art and take pride in it.



“Blue Earth Filled with Water and Flowers” – Keiko Miyauchi (Nagano, Japan) hopes to inspires others to enjoy quilting. Click on the closeup below to enjoy her detailed quilting and layered applique.


















“Paint Can Posy,” made by Mayleen Vinson (Haysville, KS) was included in an exhibit called “Color Outside the Lines.” What an appropriate title!



Mayleen added some Big Stitch quilting on her "Paint Can Posy," that she made for a Kaffe Fassett fabric challenge.


“Spring of Desire,” on loan from quiltmaker Ted Storm of the Netherlands, can be enjoyed from afar, dazzling with gradated black to gray to white fabrics ...






















and even more enjoyable up close – incredible over-the-top hand applique, hand quilting, padding, cording, beading, embroidery, shisha mirrors. 


Just WOW!



Check out the current exhibits at the National Quilt Museum and definitely plan a visit!










Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com

(c)2018 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Sunday, November 4, 2018

Kansas City Star Quilts at the National Quilt Museum in Paducah KY

In September, my husband wanted to see the Grand Canyon – a very long drive from Maryland. So of course, Paducah, Kentucky’s National Quilt Museum HAD to be a stopover!

We saw fabulous quilts from the permanent collection and several special exhibits. Edie McGinnis’s collection of Kansas City Star Quilts was something I was excited to see. (The exhibit is open until December 4, 2018.) 

I plan to post more photos from the museum, but here are a few of my favorites from the Kansas City Star collection. I chose those with hand quilting; I am always interested in the quilting stitch designs and how quilters interpret "Quilt as Desired." (Click on photos for closer detail.)







The Aircraft Quilt (1929) Symbolic of the times in airline history.








English Flower Garden (1930) Spring is the time to make gardens and garden quilts.


Pineapple Cactus (1932) Eveline Foland wrote: “This very elaborate pattern is not for the novice in quilt making, but the experienced quilter will revel in its intricacy.” This quiltmaker even added feather wreaths and a special prairie point edging.


Love in a Tangle (1950) You can’t go wrong with red and white.

















Edie is a former associate editor of “Kansas City Star Quilts,” and the author of many quilt books and articles. Through her career she has researched the Kansas City Star patterns that were printed in the newspapers, and much of their history. She has collected a number of the newspaper’s original 1928–1961 patterns, and quilts made from them, which she shared for this exhibit. (Thanks, Edie!)

Edie’s collection is on exhibit at the National Quilt Museum until December 4, 2018.

Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com

(c)2018 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Sunday, July 15, 2018

Baltimore Garden Quilt Layered Flowers


On the original antique Baltimore Garden Quilt made in 1848, many of the flowers were created by arranging and sewing tiny fabric petals one at a time, building up layers to form the flower. 









While making my reproduction quilt, I devised a method to make these flowers easier to arrange and applique by sewing petals in layered groups which rotate and overlap. With this method, we can assemble these flowers in layers instead of sewing single petals one at a time.


This technique is shown In the book, Baltimore Garden Quilt, for a flower with pointed petals (the book is still available at  www.barbaramburnham.com). In workshops, I taught this technique on a flower with round petals, and with the luxury of more time and more detail, students received a detailed, illustrated, step-by-step handout to follow along. Now I invite you to give it a try! 

For those who could not attend my workshops, or want to begin their own Baltimore Garden quilt, I offer a FREE Layered Applique Flowers Tutorial (PDF).The tutorial includes a pattern and templates you can print onto freezer paper with an inkjet printer. (My method of applique is "freezer paper on top," but you can use other applique methods.) There are also helpful references to the book, Baltimore Garden Quilt, so you will want to keep your book handy as well. My books and patterns are available at my website Store. 

*Adobe Acrobat Reader can be found here: https://get.adobe.com/reader/

Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com

(c)2018 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Wednesday, July 5, 2017

Hints for Threading Needles


Sewing by hand requires only a needle & thread, scissors & fabric, plus a bit of dexterity. But first, you have to thread that needle, which can present some challenges.

Over time, I have gathered tips and tricks for threading hand sewing needles. Most I learned from Grandma. Some tips are from stitching friends. When I teach hand applique, quilting, and embroidery, I learn tips from students. A few are gathered from the internet.

First tip:  Relax!
 
Suzy Mouse, Cinderella
Improve Your View
• Work in good light. My Grandma would say “you’re going to hurt your eyes.” Prevent eye strain.
• Close one eye. We all have a 'dominant eye.' A Certified NRA Sharpshooter, I know my right eye is better than my left.
• Thread needles when light is better, eyes are fresher, when you have more time or more patience.
• View the needle against a white background (or a light); it will be much easier to see the eye.
• Use a headlamp (like for camping) or a jeweler’s magnifier held on your head; some include a built-in light. 
• Inexpensive magnifying glasses are available in the pharmacy.
• Enlist a willing helper with better eyesight and/or patience.
• For hand quilting, thread several needles onto the spool without cutting the thread. Secure the thread end so the needles don’t fall off.


Reposition the Needle or Reposition the Thread
• Turn the needle eye around. Needle eyes are punched out by machinery, and the side punched into will usually be smoother.
• I push the thread INTO the eye. Try bringing the needle eye TO the thread instead.
• Make a clean cut on the thread – cutting on an angle will help.
• Hold the thread end “shortly” between your fingers so it will bend less.
• Flatten the thread end – especially useful for embroidery threads. Grandma taught me how to thread multiple strands of embroidery thread at once onto an embroidery needle. Fold the threads in half across the lower shaft of the needle. Pull the fold tight against the needle shaft. To flatten that fold, squeeze the fold tightly between two fingers of the other hand, as you slide the needle point away. Keeping the fold flat and holding it very shortly, push the fold into the eye, shown below.
 

 











Use a Needle Threader
• Needle threaders of various kinds are sold by Clover, Bohin, Fons Porter, etc. Some even have a light. Find one appropriate for your needle and thread. Every needle won’t fit in every threader, and every thread won't fit through every needle! I use one made of a old-fashioned simple wire attached to a holder. The wire is delicate, and cannot be forced with too much pressure, so keep a few on hand.
• Beverly Whitworth uses dental floss as a threader: “Fold the dental floss in half creating a loop. Insert the loop in the eye of the needle, put the thread in the loop, and pull through the eye of the needle.”


Moisten the Thread or the Needle.
• Grandma would often moisten the thread. That doesn’t usually help me, but sometimes it does help to adhere a fraying end. You don’t have to spit on it; you could just moisten your fingers; which I might do for threading machine needles. Sometimes moisture just swells the thread, so just recut it.
• Some people moisten the needle instead (carefully). That has never worked for me.

Beeswax, Thread Conditioners, etc.
• Wax the thread with beeswax, or slide it on Thread Heaven® thread conditioner and protectant, to make the thread a bit stiffer or behave better. These products also help prevent thread twisting. I just hold the project in the air and let the needle dangle to untwist unruly thread.

Buy Quality Products & Use the Best Tool for the Job.
• Find out where your needles are manufactured. Many are now contracted out and quality may suffer. Read the package. “Packaged in” does not mean “Made in.”
• The head (eye end) of the needle should not be rough or pointed, and the eye punch should be smooth. Thread fray and breakage can be caused by an imperfectly punched needle.
• Choose appropriate thread and needle. A student in my workshop was frustrated just getting started because she could not get her thread into her needle. She was sold a pack of needles and a spool of thread by a vendor who sent her off to class with poor choices. Although I provide needles and threads for sale in my classes, she had already spent her $$. I gave her a new needle and thread, so if nothing else, at least she learned about matching needles to threads.
• Switch to a different needle (shorter/longer, thinner/thicker, bigger eye, better quality) or choose a different thread. Sewing should be fun, not frustrating.
• Discard old threads if they are weak. Test them compared to new thread.

Consider how threads are manufactured.
• Hand sewing thread is inserted into the needle as it comes off the spool. However, thread untwists and wears as it travels through fabric. Some threads wear better if the end cut AT the spool is inserted into the needle.
• Hand quilting thread is heavier for a reason – the entire thread must travel completely through all three layers of fabric with every stitch. Machine quilting thread enters the quilt only partway, and only once each time along its length. Video How a Sewing Machine Works in Slow Motion by EverythingForYou.


Manage Short Tails and Avoid Re-threading

• As you sew, occasionally move the thread tail along the needle eye to avoid wear. As the thread becomes shorter, the tail can slip out of the needle and then you have to thread the needle yet again! Train your pinky finger to hold that thread tail.
 
 
 
 
• With very thin thread, make a slip knot on the needle eye. Video: How to Make a Silk Thread Knot by AngiesBitsAndPieces
  • With thick thread, if you can pierce the thread tail with the point of the needle, snag it and pull it up to the eye forming a loop (one of Grandma’s tricks).

• Park your needle safely -- When you park a working needle, leave the thread tail encased in the last stitch so the needle can dangle but not fall off. Store idle needles in a pincushion.
• When storing a threaded needle, knotting one end of the thread = 50% less chance of the needle falling OFF the thread.


Suzy Mouse - The Work Song
These are all the best hints I've got. Now go sew!





Keep Stitching!
Barbara M. Burnham
(c) 2017 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Thursday, March 16, 2017

Baltimore on the Prairie 2017, Nebraska City, NE

Baltimore on the Prairie
*** Applique Conference ***
September 20-23, 2017
Lied Lodge and Conference Center
Nebraska City, NE



Once again, I am very excited to be teaching two workshops at Baltimore on the Prairie (September 20-23, 2017).

A well known teaching faculty has been assembled for 2017: Nancy Amidon, Barbara Burnham, Jeana Kimball, Lisa DeBee Schiller, and Cathy Van Bruggen. Classes cover all skill levels from the very beginning basics to advanced Baltimore techniqes.


For my workshops, we chose two applique blocks drawn directly from the antique quilt in Baltimore Garden Quilt, and updated them with new fabrics and  new techniques.
Here is a preview of some techniques I will offer:



Choose from layered or multilayered flowers with dimensional folded buds,

or try edge ruching method for dimensional flowers and buds.


Fussy cut fabrics or add broderie perse flowers. 

Sew perfectly round padded circles, French knots, fancy fringes, or criss-cross centers.


Choose from several methods to make stems and arrange them in graceful curves. Learn to applique bumpless curves, sharp points and V's, how to handle small appliqué pieces, and tips to make hand appliqué faster and neater. I use a video projection system so all students can watch techniques up close. I hope you can join us!

Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com
(c) 2017 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.

Friday, December 4, 2015

Book Review - Mi Amor by Margarete Heinisch

Mi Amor, Legacy Appliqué

by Margarete Heinisch
©2014 American Quilter’s Society
ISBN 978-1-60460-140-4
Proudly printed in the United States of America


Margarete’s exquisite quilt “Mi Amor” was exhibited at American Quilter's Society QuiltWeek in Lancaster, Pennsylvania in 2012, and this quilt certainly deserved the Best of Show award. I was fortunate to be able to view this magnificent quilt 'up close and personal' and take photos before the show officially opened. The first thing that caught my eye was a peacock in full display – a stunning feat of skill with fabric and thread.
There is so much to see and enjoy on this quilt, I hoped the maker would publish a book. Gladly, she has!

Born and raised in Vienna, Margarete moved to California in 1971. After visiting a quilt exhibit, she was inspired to make a log cabin quilt, and like many of us, found herself immersed in the quilt world. Mi Amor was made as a 25th anniversary quilt for her daughter and son-in-law.

Sixteen original Baltimore album style blocks highlight her family life, loves, America’s history, patriotism, social compassion, and spiritual expression.














Margarete includes imaginative use of many kinds of fabrics and threads on her quilt, and some unexpected materials. Hidden among potted flowers is a baby bird in a nest woven from yarn and Margarete’s own hair!

Flowers are made with gathered yoyos, hexagons, yarn, and rickrack. Some are folded, frayed or fringed. No flower garden is without critters, so she included ladybugs, potato bugs, caterpillars, bumble-bees and many birds. Huge butterfly wings with bound edges seem ready to lift off the surface of the quilt. A multitude of embroidery stitches add final touches on the appliqué.

Margarete makes creative use of iron-on ribbons and acrylic fabric paint. Pigma pens form delicate facial details, eagle feathers, lettering, and a detailed drawing of a church scene. Step-by-steps show how to handle dimensional features such as a bound book, a written scroll, a little girl’s dress, and a woven basket with ruched rim. A unique partially-pieced compass block is framed with bias, rickrack, and prairie points.


The book, Mi Amor, offers close up photos and diagrams explaining how to achieve these techniques and more. From the CD-ROM included, print patterns in sections on 8½"x11" paper, or .pdf files for commercial printing. Print full color pages of each block for reference or fabric shopping. Appliqué fans will enjoy Margarete’s beautiful book, Mi Amor. Try some of Margarete’s fun techniques in your quilts, or be inspired to create your own original appliqué designs.


Keep Stitching!
Barbara M. Burnham
www.barbaramburnham.com
(c) 2015 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.


Tuesday, February 24, 2015

Applique A Tiny Bird's Eye

Several people have asked me to do a blog post about how I manage hand appliqué on a tiny bird’s eye. And they keep reminding me. (These things take time!) So here it is.

First, enjoy shopping for just the right fabric for your bird’s eye! On antique Baltimore album quilts, a daisy-like flower might be cut out and sewn as a bird’s eye. I appliqued this tiny flower which made a 1/8” circle – quite challenging!


This fish’s eye was the center of a large flower. His upper lip was appliquéd with the technique explained below.

Polka dots are great if you find just the right size. Circles and ovals provide a nice guideline to appliqué. This eagle's eye seems to have eyelashes.

Here's a wild bird eye! Wish I had more than a scrap of this fabric....

The little block design below was clipped from the full-size block in my Baltimore Garden Quilt book, for a workshop on basics of appliqué with freezer paper on top, tricks and techniques for leaves, skinny stems, stuffed cherries, and a tiny bird’s eye.

The black polka dot is the perfect size for my bird’s eye, and its white background allows me to include a white eye-ring which shows up nicely against the bird. But it’s still really small to applique! Here is the trick: Usually I cut an appliqué seam allowance about 3/16 inch. However, for tiny appliqué, cut out the appliqué fabric with a HUGE seam allowance. Knot a thread, and baste all around the eye. End the basting thread with another knot.

If a white eye-ring is desired, use a circle template to mark a bigger circle. Depending on your fabric, you might not need that, such as the eagle with eyelashes shown above.

Clip out one or two basting stitches – just enough to trim a LITTLE BIT of the HUGE seam allowance down to 3/16 inch (or less) for ONE STITCH of appliqué. The remaining basting stitches will hold the fabric in place while you begin to sew.
 

Thread the needle with appliqué thread and knot the end. Insert the appliqué needle under the eye fabric (so the knot will be hidden) to begin the first appliqué stitch. Turn the seam allowance under and send the needle to the back of the block. Pull the thread taught and then park the needle.


That first appliqué stitch is now holding one side of the eye in place while the remaining basting stitches are still holding the other side.

At that point, you must clip out more basting, and trim more seam allowance away before you can continue around the circle. The appliqué stitches must be very close together. Instead of the usual horizontal appliqué stitch, send the needle straight up and down vertically for each stitch. You might call it a stab stitch. 
About halfway around, all basting will be gone, but the eye will be stable. From there on, trim carefully and appliqué until the last bit is turned under. This is probably the most difficult part. The seam allowances have to be very small – all the seam allowances have to be cut narrow enough to fit under their its part of the circle.

TIPS: On this tiny appliqué, concern yourself with only one single stitch at a time. Trim only enough and turn under only enough seam allowance for that one stitch. Use the needle to wipe the seam allowance under. Slide the tip of the needle under the circle to smooth the gathers. If too much is pushed under, flattening the circle, use the tip of the needle to coax it out a bit before taking the stitch. Push in any bumps with a fingernail or a toothpick. Hold the block at the eye between your finger and thumb and press to flatten the gathered turnunder (finger press).
Finished! If there are a few bumps in the applique, you can still push those bumps in with the needle, a toothpick, or a fingernail, and take an extra stitch or two.

In my book Baltimore Garden Quilt, there are more ways to make use of this method. Try this technique on a bird’s eye, or any small appliqué piece. I would love to see your photos – visit me on Facebook. And watch for a future post on embroidered bird eyes.

Keep Stitching!
Barbara M. Burnham

www.barbaramburnham.com

(c) 2015 Barbara M. Burnham. All rights reserved. Reproduction of any kind is expressly prohibited without prior written authorization.